Bio:-
Abin Roychoudhury (born September 2, 1987, in Mangalkote, West Bengal, India) is a prominent Bengali poet, essayist, lyricist, and writer. He gained special recognition in the literary circles for his debut poetry collection, Itipurbe Bolini, published by Ananda Publishers; his other notable poetry collections include Golap Nirapekkha Noy and Bibarna Cycle. Leaving his teaching profession behind, he fully devoted himself to literary pursuits. His popular song "Norom Sobdo Chhuye Dao" is available on major music platforms. He has presented essays at All India Radio, alongside participating in the Krittibas and India-Bangladesh Poetry Festivals. His poems have been published in all notable magazines across India and Bangladesh, as well as in international platforms such as Revista Innombrable (where a selection of his Bengali poems was published in Spanish translation), Atunis (where his Bengali poems appeared in Turkish translation, alongside features on Atunis Galaxy Poetry), World Inkers (jointly published from America and Senegal), Australia’s Multicultural Press, Belgium’s Atunis, Philippines' Artista De Colores, and the Albanian literary magazine Gazeta Destinacioni, desh, abp, sindh courier, etc. Furthermore, he has expanded his literary footprint into translation by rendering Turkish poet Serkan Engin's English poem into Bengali, which has been published on the international poetry platform AllPoetry. For his contributions to literature, he has been honored with the Mallika Sengupta Smriti Puraskar. Currently, he resides in the village of Panuhat near Katwa, West Bengal.
recent posts
Thursday, October 15, 2026
Poems: Abin Roychoudhury
Thursday, October 8, 2026
Poems: Paul Bavister
The Beast
As we lay awake in the pub campsite,
there was no howling in the woods,
no thick fur brushing the tent,
no shadow leaping onto the gatepost.
Whining sheep kept us awake
until tractors rumbled across stony fields –
time to take the fidgeting kids
for their morning wash in the toilet block.
We spent the day walking on the moor
until we were dizzy with heat.
In a pub, we ate plates of chips
and pretended to be the beast.
The landlady showed us a photo
of pawprints in the mud,
then battered us with stories
of all those dead sheep.
The kids gulped. We felt our way to the tent.
Halfway through the night, the sheep,
trapped in their fields, fell silent –
the kids had rolled so close
I could hear them blinking.
Eric
I walked into the brightly lit pub
to celebrate an uncle’s eightieth
and as I loaded my paper plate
I got stared at like I was a ghost
then one of the old boys called out
the name of the granddad I never met:
Eric. Everyone was quick to tell me
he'd died before I was born.
They told me he was a right clown
and once kicked through
the town square in his size thirteens
and accidentally flipped a pigeon
dead. To me he’d only been the phrase
he died before you were born–
but at the party I found out how
they missed his weird jokes
then they huddled together
and whispered how one of their dads
found him writhing in the street
clutching the ulcer that killed him
but when they saw I was listening
they moved on to how
he’d dress up at parties like a ghost
and from beneath the sheet
would flap those size thirteen feet.
Garden Party
I resented not being invited to the garden party.
I'd done all the work: planted borders,
rolled lawns, hammered up hanging baskets.
I felt I deserved to go, so I did.
I swilled down a glass of fizz
and a drowning wasp
stung until my throat began to close.
I had a vision of myself on the terrace,
shouting orders at a younger me
to get a different job, stop
struggling, engage my brain.
I woke in hospital,
embarrassed at crashing the party.
Was the lawn flat enough for the marquee?
Had I watered the borders?
The poison burned in my chest.
The nurse wired me up,
then I was sick, and in the sick
was a tangle of legs and wings,
a sting. As I recovered, I looked deep
into my phone and found
the invite I'd missed to the garden party.
Bio: Paul Bavister has published three collection of poetry with Two Rivers Press. His work has recently appeared in Dark Winter, Soup Can and Rusty Truck.
Tuesday, October 6, 2026
Poetry: MK Kuol
Monday, October 5, 2026
Poems: Gabriella Garofalo
To M.
Apologies in advance for her blunders,
She’s new to the game, just never suggest
She stands among lilacs and dreams,
Or lets her mind dance like sweet grass-
She’s writing-
With every breath she inhales shards of blue,
The sharp edges where angels used to sit,
And writes in tides, wondering if the sky’s always been
This bruised shade of blue-
She writes to leave her hunger bare upon the page,
She writes to translate a lilting blue into words
Of wind and height, who cares,
But what she really wants is blue, the shade of twilight
Falling over the hills, not just the sky, but the breath
Behind blue veins, blue grief soaking through the roots-
I see. Blue. Everything must be blue, right?
Not just any shade, but the blue of tragic heroines,
A colour that screams ‘I read Sylvia Plath
When I was sixteen, it changed my life and dreams’-
Well, that's really too much,
Enough now with desire so friendly to the gales,
Enough with grace and yearning skirting round the corners,
Woman, just lie down in the sweet grass,
And you give her uncaged words to tear apart,
Why this absurd craze with eternity?
Hey man, I tell you, angels carved of blue and mist,
Who go adrift through her blue mind,
Holding your breath for words to fall down her window-
Let grass choke on her mind, I say,
And maybe then her wings will spread,
Or she will capsize to the steady tide of a becoming,
Where she is both writer and sky,
And you finally know what it means to name the hunger,
Or cast it aside.
*******
To MA
Say, did you summon her from old tales?
Here lies the garden of intensity,
There is a woman inside the breath,
She waits beside the rushing water, learning to forgive
The tide's grasp, while the sky holds her waiting,
An indigo hunger that tastes of words and untold grace-
But no map for her soul,
Only the grass tangled around her ankles,
A snare of living words that can’t forgive the blue,
And water, that remembers the weight
Of hands or afternoons-
So, where do you place your bet, on the green,
On her soul's desire?
I place mine on a morning never to come,
I bet she’ll never learn to forgive the way the river bends,
The way blades always rise again-
I know, you are dead right, the jagged corners of the days
Are starving for absolution, but she‘s yearning
Only for the grass to wipe from her words she was too afraid
To say when she still had skin and breath-
Anyway.
Forgive or not, summer doesn't care,
She’s got a lot on her mind, with that bloody guest
Who overstayed his welcome,
The sun that cuts you no break-
Well, don’t fret, soon or late rain and pewter clouds
Will give us ease and shelter-
While two lovers in the background,
Modern martyrs to an ancient script,
So rich in nonsense tonight, are breathing
The dark promise of a tryst-
No need for words for them burglars of the dusk,
Just breathless hunger, the blazing skin
Of a September afternoon.
*******
To P.
Shenanigans, they call it, a little midnight hustle,
A larceny of rhythm and shadows, shenanigans played out
In the dark, as words slide in, tiptoeing on shards
And paranoia, to steal silence from the vault,
They come through the slats of the blind like the blue,
A sparkle here, a shimmer there, in a frantic jumble
Of light and sleight when poems are born
From nights that steal seconds from a drowsy dark
Weaving tales so sly, and yes, bedazzling shadows
With a pilfered moonlight-
Beware the charm of daring nights, lovers,
For poetry breathes in stolen time,
Beware a sky trading in cobalt tears, indigo lies,
Don’t try to steal the moon if you can't even carry dust,
No, you can’t, you simply can’t snatch the wandering poetry
Of a life breathing in slow time
If hooded fears hoodwink time and slip away,
Playing havoc with the moonlight glow-
Yes, a masterclass in high-wire shenanigans,
A heist of the soul, maybe a glitch in the grace,
While down there you writhe, burn,
Taste the salt of an unrequited hunger,
Unwisely confident your blue-tinted desire
Will grant you exclusive entry to heavenly ropes,
To midnight’s bruised blue skin.
*******
To Y.
Oh, the sweet agony of the wait, as she spent
So many winters learning the true shade
Of waiting, and there it was, a blue so wild
It felt like a misdeed, yet never apologised
For being so wild, and she saw it stretching on
When anger was only foul weather, a sudden gale
Against the mind, leaving the sky behind,
Stifling in words left unsaid or shouted out,
Wanting to hurl them at the ceiling of the world
While silence jagged her throat like shards of glass-
Oh, it all sounds so intriguing,
But who listens when breaths turn sour?
God, or the wind? Are they up behind that blue?
Got it, soul, OK, but now please wait,
Let restless words dissolve like salt on the lips,
Just wait, I say, under a sky that isn't blue anymore,
Or ever was, and let the wind sweep through
To drive the anger away from the house,
And throw it into the hideout where God is breathing,
Waiting for you to be silent enough to hear Him,
Maybe to wonder if He’ll ever hold His breath
Unsure if blue will grow into redemption,
Or burn the mind until it eats your name
While words lie hidden in blue corners,
And ask shadows to account for breaths-
Now that’s brilliant, you really got it right,
Sure, let’s wait while blue gets its act together,
And what do we get? Nothing, only a blank page tangled
With secrets we are too scared to ask God to unshroud-
By the by, is anybody listening out there?
See, her anger has nowhere to land.
*******
To B.
Who told you desire, words, even divine whispers
Can fill the distance between souls and tales
God threw like seeds?
Now the blades of summer set free a green breath,
The scent of a season going bad,
The jolt of uncut grass grounding days that never stand still-
Look, grass, she knows you hold tight all her secrets,
She knows your scent grabs at her ankles
Like a green rejection, yet she still breathes in the green air
Wondering if heaven smells like freshly cut fields-
Know what, God, your green madness cast us adrift
In tangled scents, yet we stalk desire sowing seeds
In our Sahara, and wondering why the rain can’t see
Our names, that dazzling burnout that steals our breath-
Thus we remain lost among blades of truth cutting too deep-
But listen, why do you make souls out of desire
And leave them starving in the green,
Among names they made up just to have
Some breaths in the blue?
OK, shall we try and look again at a sky so heavy
When you turn away from souls that are the symbol
Of your regret breathing in the blue?
God, can you see their green persistence
On blooming where you bed only weeds?
They’re dying to meet you, who cares
If in swaying blades, in revelations dressed up
As a Sunday afternoon, they’re dying for you to look down
And feel not rage, not dismay at their clumsy grace,
Just a silent wonder that they are here trying to give
Breaths and prayers to ceilings of leaves,
While a woman with words intertwined makes shelters
Out of wind or desire, of course with a soupçon
Of supernatural fear and expensive mistakes-
Pray, Sir, what else if not her poems?
*******
To S.
Mothers and friends told her to write of lilacs and rain,
Something sweet, of course, to weave poetry
From sighs or moonlight-
But too bad she’s a kind of blue that lives only
At the core of the screams,
A woman who cradles volcanoes in her soul,
And never asks for license to burn,
As she’s blue, ablaze at the core-
Sorry, what? Oh, they call it rage when her hands shape
Words into a blue lightning, so what?
Let them be wrong, since poetry dwells
In the silence before a blast, then it comes streaming
In words of raw blue, since tonight she’ll write poems
Breathing in the salt of wounded prayers, so step back,
Just look how she burns when meeting God eye to eye
In the scorching noon, shaking under the blue of words-
Beware, never mention the grace to her,
If she writes Genesis again with blowtorch and blue-
Oh, is this what theycall inspiration?
Who cares, as long as she writes ‘cause if she stops
The blue will burn the pages, and they won’t be able
To hold her while she asks God if He ever fears
The cobalt brushing heavens ever since He breathed
Life into being, before blue grew bit heavy between His
And lost eyes.
*******
To W.
But this is a different kind of hunger,
It burns cold, a low blue fire, the cold hiss
Of light striking true, striking hard,
Yes, darling, blue fire, darling,
What women like her burn with when the paper is too white,
Too clean for the mess in our mind,
And women sculpt poems,
Among stars, strong coffee, bruised egos they rise
With boundless unsought words,
Writing lines beating with the strength of trees,
Just for the blue, not red, too garish, too loud,
Since what is a poem but an act of faith?
Too bad sometimes rejection strides in,
She says words are neve, too raw,
Looks at them burning blue in the dark,
And says the edge is too hard to touch, just ice that chars-
I dunno-
Maybe rejection is just an extinguisher that smothers
The blue fire you try to kindle on the page,
So you feel shunned by the very sky you are trying to paint,
Or maybe she scorns the electric blue of your mind,
And just feels safe with women sitting in the corner,
A cup of tea in their hands while the house burns down-
I dunno-
Only, sometimes women alive in rejection's wake lay down
The pen, grab a knife, slit their lives in hunger and glee,
Blue bleeding through margins where she said no,
But where do words go when she hands them back?
Well, they just dart down like falling stars
Heading to the untamed blaze, a blue inferno that burns
Through silence, yes, yes, a cold electric blue, a blue fire,
And oh, darling mine, just look how brightly I burn now.
Born in Italy some decades ago, Gabriella Garofalo (She/Her/Hers)
fell in love with the English language at six, started writing poems
(in Italian) at six and is the author of “Lo sguardo di Orfeo”;
“L’inverno di vetro”; “Di altre stelle polari”; “Casa di erba”; “Blue
Branches”; “ A Blue Soul”, “After The Blue Rush”.
Saturday, October 3, 2026
New Poems: Sushant Thapa
Fragrance Spreading Spring
A flower
I kept in a flower pot,
The pot of plastic,
With no touch of soil.
Something moved in me.
Every day I felt
A deep suffocating rage
Till the flower
Touched the soil.
Spring arrived late
For me that season
My mind became a snowfield.
My hands were frosted
I lost my fingers.
I wonder how
The flower will touch
The soil.
One midnight I stumbled
On the flower pot,
The pot fell from the balcony
And broke,
It touched the garden soil
And slowly grew
To be the fragrance spreading
Spring.
Rolling Life's Dice
I hear the giggles
Of a sweet childhood
In photographs
That capture a memory
Dull is the unnoticed delight
Yet, the mind does not lie
Listening to the chirping birds
A wine glass in hand
Drips drops of aesthetics
Tipsy is the untried life
I learn to walk straight
As I crawl through life
Heaps of books,
Newspapers
And paintings,
Even painted paperweights
Make a sight
Lots of inner reflection
To sit at the study table
And roll the dice of life.
Trading Shoes
Drowning the fear
I learn to swim
I face the mirror
It shrinks to dew
I miss the maple leaf
Before the dew dries
On it
Autumn is a musical
Rustling leaf
A childhood paper boat
Misses the rain
In the compound
Tea stalls house more stories
Than a library
In a verbose town.
I remember the story
Of a worn out umbrella
That cried
When you got wet in rain
The earth seems burning
When you lose faith
Divine blessings
Are philosophies
That ask you to
Hold each other
And maybe walk the first mile
And trade shoes.
Digital Distraction
Digital distraction
Keeps me alone.
A silent solitude
Becomes a noisy park.
I see bots and cartoonish faces
No healing rain.
A sense of false accomplishment,
We need to pretend
There is no Wi-Fi ,
We need to talk to each other.
All other validations,
All other relationships corrode.
There are sometimes
When I don't feel like writing.
Now, as I type, I feel the same.
Did I approach properly?
Did I convey my priorities?
I question my realities too.
I am alone,
Yet another game of listening
To the voices of distractions.
Bio: Sushant Thapa is a Nepalese poet and fiction writer from Biratnagar-13, Nepal,
with ten books of poems to his credit and two books of short stories. The books of poems
are: The Poetic Burden and Other Poems (Authorspress, New Delhi, 2020), Abstraction
and Other Poems (impspired, UK, 2021), Minutes of Merit (Haoajan Publishers,
Kolkata, 2021), Love's Cradle (World Inkers Printing and Publishing, New York, New
York, Dakar, Senegal, 2023), Spontaneity: A New Name of Rhyme (Ambar Publication
House, New Delhi, 2023), Chorus of Simplicity and Other New Poems (Ukiyoto
Publishing, Philippines, India, USA, 2024), Finding My Soul in Kathmandu (Ukiyoto
Publishing, Philippines, India, USA, 2024), My Grandfather Had Been a Cowboy
(Ukiyoto Publishing, Philippines, India, USA, 2025), The Walking Rebel (Transcendent
Zero Press, Houston, Texas, USA, 2025) and When I Desire and Other Poems (Ukiyoto
Publishing, Philippines, India, USA, 2026).
His first collection of flash fiction and short stories is titled "The One Rupee Taker and
Other Stories from Nepal" published by Ukiyoto Publishing in 2024. His second
collection of short stories is titled "The White Dot and Other Stories" published by
Transcendent Zero Press based in Houston, Texas, USA in 2026.
Thapa holds an M.A. in English from Jawaharlal Nehru University in New Delhi, India.
Curriculum Development Center has approved a poem by Sushant Thapa titled
"Festivities" to be taught in Grade 6 in Nepal. It is included in the book Paragon
English. He poems are widely published in online and print.
Sushant has also edited two anthologies: Tales of Love An Anthology of Erotic Stories
(as an editor), published by Ukiyoto Publishing, 2025, he has co-edited Shivers in the
Dark An Anthology of Horror Stories, published by Ukiyoto Publishing, 2025 and he is
the co-editor of The Transgender World Volume I, which is edited by Monalisa Parida.
Tuesday, August 25, 2026
Poems: Heather Sager
Microfiction: A Small Rebellion by Jack Phillips Lowe
A SMALL REBELLION
The government money dropped yesterday. So, Helen went out to Kroger’s for groceries today. Helen is two years older than me. But her legs work better than mine.
So Helen goes out and leaves me at home. Which suits me just fine.
It’s the time I like best. After all these years, Helen still thinks she’s the boss of me. When she’s out, that’s the only time I do what I want.
I like to feed the birds in our backyard. If I don’t, how will they eat? The birds depend on me for food. Every day, they look for me—cardinals, blue jays, yellow finches, woodpeckers, sparrows. Hell, nobody else does. They swarm around me like a Disney cartoon. The birds are the only friends I got.
Helen thinks she knows it all. Last week, she told me, “Genna, don’t feed the birds no more. It’s winter now. Any food you throw down for them birds, it’s going to bring mice and rats from all over. If you bring mice and rats to my house, I’m going to send you to the county home. No more feeding birds until Spring comes.”
Well, to hell with her. I can’t let the poor birds starve to death in this cold and snow. As for the mice and rats? My dog, Oliver, is a Boston Terrier. Boston Terriers are better mouse-catchers than any cat. But Helen don’t like Oliver, either. So on that score, Helen don’t know her ass from her elbow.
Like I said, Helen went out to Kroger’s for groceries. So, I took a couple slices of Wonder Bread from the ice box and tore them up into little bits on a paper towel.
I put on my coat and my old legs were good enough to shuffle me out to the driveway. There, the birds were waiting for me like I was their guardian angel. Warmed my heart, it did.
I dumped the bread out on the driveway for them. The birds jumped all over it, like they hadn’t eaten in days. In minutes, the bread was gone. Those birds were back up in the trees, singing. And it felt like they were singing just for me.
When Helen got home, there was no bread left and no birds were seen anywhere. She didn’t know from Shinola. So, Helen, the birds and me, we was all happy—for different reasons.
See? Helen ain’t the boss of me.
Jack Phillips Lowe was born, raised and still resides in the Chicago area. His poems and short stories have appeared in Piker Press, Synchronized Chaos and Bold Monkey Review, among other outlets. Lowe's most recent poetry chapbook, Brautigan's Blue Moon (Instant Oblivion Press, 2025), is available on lulu.com.
Monday, August 17, 2026
New poems: John Grey
MANGO
Golden dangling fruit,
I pulled you from the tree,
not a harvest, but a seduction.
Your rind came away in my eager fingers,
and the amber juice
filled the creases of my palm,
like the sun’s own lotion.
One bite
and my mouth succumbed
to the mess of love,
down my chin,
on my lips,
in every pore of my defenseless tongue.
A wild too brief,
a sweetness compounded.
And just growing there.
Imagine that.
Like a lovely woman.
One not expected
but just standing there.
SMALL WORLD, EVEN SMALLER COUNTRY
So many people here.
I’m squeezed from all sides.
My lungs are in an uproar.
Breath can’t come soon enough.
The old are in residence.
The young are moving in
in droves.
The rich claim their space.
There’s not enough left over for the poor
but they jam in anyhow.
The middle class lock hands,
stand on each other’s feet.
The straight are so crushed
into one another
they’re almost gay.
Democrats crunch Republicans.
Republicans squash Democrats.
They emerge, where they can,
as undecided.
And then there’s the ethnic groups.
And the religions.
Irish Catholics, Iraqi Muslims,
Jewish Jews –
I’m oozed from one to the other.
I’m in a steam press,
an iron maiden.
Irresistible force
meets immovable object.
Look around me.
If only I could.
Go where I want to.
Someone else wants it more
It’s a Democracy at least.
The voice from above insists.
So I am a free man –
but with a prisoner’s reality.
IN SERVICE TO YOUR EXISTENCE
my days flicker not for anyone
in my bitter cold apartment
I see myself often
with metal reflected eyelids
they tap on my brow
always wanting something
maybe love
when it is all done pretending
oh well…
at least I found me a room
not far from yours
I wanted the flame but took the groove
this cracked path
where ghosts dwell
swiping left as if that meant leaving
I speak sometimes to everyone
but never I am still theirs
not because they remember
but because they don’t
I’ve learned to inhale with the lights
they pop and I am clean
but only in the flash
I forget my scent
I am small but again I arrive
as a favor to a poem never returned
and one day you’ll drop that coin into the well
and I’ll wave not because I stayed
but because I have always been here
IN HONOR OF YOUR DEPARTURE, I’M…
getting abstract like my slurry tongue,
another path to fake feeling,
conveniently absorbed in alcohol
dripping down my shirt –
fucked it all up
didn’t i –
while she did what needed to be done,
packed her bags, got on a plane,
leaving me to the weirdest dream
where i’m the only one alive on the planet,
just me and a fridge full of beer,
and a hollow body
that i can pour alcohol into
until i become just like my father –
fucked it all up
didn’t i –
how many times do I have to say it,
i’m stuck here, forced to be myself –
(ah, if only you could see me now) -
gently foaming at the mouth,
erasing all miracles from my life,
turning a would-be scream
into another empty bottle
on the kitchen floor –
you and your rachmaninoff,
your duplicity –
fucked it all up
didn’t i –
so much for the honest mouth,
for listening so quietly –
ridiculous!
i’m here scribbling empty lines,
whistling rugby songs,
sucking wind,
studying the spider web on the ceiling,
hearing no word from anyone,
and wanting to be
anybody but the person I am –
so what else?
what’s wrong with me?
why must shame have such an undying thirst?
fucked it all up
didn’t i
MY WILD SIDE WALK
A moment ago I felt so sick -
from the cloistered wealthy on the east side
to poor people on the streets of south Providence -
the drop off is amazing —no, depressing -
and so cold —
because there is nothing to be dreamed of,
there is no chance to be seized, all is lost,
time drifts backward -
I am walking. That's what I do.
I'm trying to convince my sadness to relax.
No one here's read Dostoyevsky.
I translate "The Idiot" for them -
I am Prince Myshkin in sweatshirt and jeans,
making resolutions I'm too sick to keep,
risks my frailty won't allow —
and you wonder why I can hardly move?
I stare in the windows of shuttered shops,
A pigeon plops down in the gutter beside me.
A car backfiring will be the sound of guns
come evening.
And I'm sick again -
my body puzzles me,
late afternoon shadows evoke a corresponding sadness,
and smells — and the thump of a basketball
on a nearby court — and the face at the
third floor window of a tenement —
it sets the old world in a frame -
by the time any of it reaches me,
the lives of others
have mutated into misunderstanding.
I feel as sick as the blade of an ax
slamming against a throat — or and old tune
I struggle to know the words of—
or the whir of a cop car siren,
coming for some sick kid,
coming for us all.







