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Tuesday, October 31, 2023

New Poems: John Grey




IN ARIZONA DESERT COUNTRY

 

Pebbles roll underfoot.

The earth has a deep red burn.

My sweat is half-dust, half-liquid.

The sun is setting on Arizona, as elsewhere,

but with uninterrupted shadow 

from here to the distant mountains.

And a gleaming gray lizard

pops up suddenly atop a rock,

head darts this way, that,

before disappearing.

 

That creature knows how to survive

this rough-hewn landscape.

Doesn’t have a car.

Has no need to drive 

hundreds of miles of flat road.

Whether stranger from the east

or unwitting insect,

the lizard let’s life come to it.

Then it observes, cogitates,

and reacts accordingly.

 

My presence is worthy of no more

than a furtive glance.

My journey is a succession 

of just such furtive glances.





THE OCEAN DELIVERS

 

Body washed up on the beach,

blue-skinned, hollow-eyed,

but recognizably human.

 

Crowd gathers, 

in curious horror

at the sight of 

wide-opened mouth,

clenched fists,

legs blotchy,

stinking of salt.

 

On a clump of wet sand,

the rigid silence of a being 

so analogous to ourselves –

how absurd and terrifying. 

  

 

 

 

IMAGES

 

You look long and hard

into the mirror.

You struggle to get beyond

simple reflection.

You’re pondering 

how you would feel

about this woman 

if you were someone 

other than yourself.

You pass her on the sidewalk.

Do you say “hello”?

She’s seated alone

in a coffee shop.

Do you plump down

in the vacant chair at her table?

And what if you’re a man?

Is she someone you’d really 

like to get to know better?

And how would she react

when she saw you?

Your mouth twitches awkwardly.

It’s not easy 

convincing a stranger to smile.





WHO ARE YOU?

 

I awaken from a kind of amnesia,

out of fog into who you are,

as if my eyes, my mind, are giving birth to you

and now must find a name out of what I see,

what I remember.  

 

It must be the name I’ve said ten thousand times before,

when crying out for help, or sidetracked by desire,

a name, so familiar to my tongue, it can’t help repeating itself,

over and over and over, 

like a thin invisible wire extended across the room,

with my mouth at one end, your ear at the other.

 

I’m lying in bed, so this really is an awakening.

I’ve been waylaid by dreams with other people in them.

Last night,  my subconscious sprouted wings 

and soared above the city skyscrapers.

It was back in the classroom where a teacher

threatened me with a long cane

for not doing my homework. 

 

And you’re by the door, 

a woman in ordinary circumstances,

on the way to the bathroom,

or downstairs to make coffee.

 

Wait. I believe I have it. You’re Gale.

It was easier than I thought.

No psychoanalysis.

No hypnotist.

No sessions with a therapist.

No need to relearn the language.

 

I can fly in short bursts.

I really did do my homework.





THE GUY                                                                                                      

 

left the army
back in ’97,

dishonorable discharge

 

sorry sarge

about the two black eyes

 

and that it didn’t 

make a man of me –

 

ask around –

 

I was a man

even before I ever went in –

 

it was in no place USA

where I shot out

the stained-glass window of the church –

I was aiming at the priest

 

and I got kicked right outta the barroom

and landed on a police report

which is why I punched out

the first guy I ran into

when they let me go next morning

with a caution –

 

and I racked up debt

wrote bad checks

 

or

as I said to the cop

it ain’t like I’m running with the wrong crowd –

I am the wrong crowd –

 

so come on over

you can’t miss me

I’m the guy 

with the tattooed chest

the earring

and the beer in my hand –

 

 

 


THE GUY                                                                                                      

 

for as long

as I’m addicted to something

then I’ve got unfinished business –

 

make that Qanon

make that coke

make that uppers and downers

and guns

and violence –

 

and, of course,

the little girl

who calls me

“daddy”






Read more of John Grey's work here on Bold Monkey: https://georgedanderson.blogspot.com/2023/04/featuring-john-grey.html

 




John Grey is an Australian poet, US resident, recently published in New World Writing, Santa Fe Literary Review, and Lost Pilots. Latest books, ”Between Two Fires”, “Covert” and  “Memory Outside The Head” are available through Amazon. Work upcoming in the Seventh Quarry, La Presa and California Quarterly..

Sunday, October 15, 2023

New Book of Poetry: Joseph Ridgwell VICTORIA (2023) Wallingford Press, 44 pages





In the prelude to Victoria, Joseph Ridgwell writes, "So here I am. It’s 2023 and I’m 50 years of age. And yet I’ve never grown up and people say I look younger than ever. Of course they could be lying. Whatever. All I know is that many years ago I decided to fictionalise my entire life. And that’s just what I’ve done. And what is real and what isn’t real? There’s probably more truth in what I’ve written than anyone will ever realise. I really did all these things. And now to Victoria, can you fall in love at 50? Of course you can and I did. And this little book of poetry is testament to that. Victoria has brown hair and brown eyes and a light brown stare."

Asked about the backstory to the book Ridgwell says, "It's a bizarre story George. I'd been seeing Victoria (not her real name) on a casual basis for a few years. Nothing serious. Then, last xmas, my mum handed me a box of letters, handwritten ones, dating back from 1985 right up to 1997, the year the internet and email  came into mainstream use. The letters stop at 1997. 

"There were a bunch of letters from my first love - Victoria! Her posh parents had banned her from seeing me, a they thought I was a bad influence (i.e not good enough for their middle-class daughter) Anyway, I made the mistake of reading one where Victoria declares her undying love for me and even threatens to kill herself if I ever leave her. Pure teenage angst. She was 17, I was 18.

"And then boom, I fell head over heels in love with Victoria. But did I??? The shrinks would have a field day, I’d be a test case. Now, looking back I don’t think I did fall in love with Victoria, but some long repressed feelings from over 30 years ago were suddenly unleashed after I read the letter, and I transferred those feelings over to Victoria. (Never told 'Victoria' about the letter btw).

"The feelings lasted around a year, and were acute, I lost a stone and half in weight (love sick) but the feelings then suddenly disappeared. I stopped seeing Victoria, and started seeing someone else. 

"So, is that the end of the story, I’m not sure. Only time will tell."


Here is a selection from the book of 26 poems posted with the permission of the poet:




 

Love is real

Love is a sickness 

You can go crazy for a while

Start doing things you wouldn’t normally do

Act out of character

Get a little paranoid

Love is real alright

And most people don’t know what love is

Because they’ve never been in love

In fact when I think about it

Love is fifty thousand bats rushing blindly from the gates of hell

And headed straight for you.





Witchcraft

 

I’ve got it bad

All the classic symptoms

Loss of appetite

Insomnia

Obsessive thought patterns

It’s a wonder how they do it

The female

But they can

And that’s where their

Real power lies

Not in feminist emancipation

Or girl empowerment

But in good old-fashioned

And deadly 

Witchcraft.





Love In The Morning

 

No time to lose

Strip clothes

And leap into bed

And then lying together

Kissing in the shadows

Your tongue my tongue

Your legs entwined with mine

Our hearts beating madly.







Joseph Ridgwell

 

 

Joseph Ridgwell is a working class author who was raised on a council estate in East London. After leaving school Ridgwell worked a series of menial jobs. He has worked as a butchers boy, apprentice upholsterer, tile warehouseman, common labourer, toy salesman, carpet salesman, hospital porter, peanut vendor, telesales, and various call centres. At nineteen he was stabbed in a bar brawl and decided to leave the UK, travel the world and learn how to write. Ridgwell has lived in Cuba, Mexico, Indonesia, Australia, New Zealand, Belize and finally Thailand where he ran a bar. Since 2011 Ridgwell has resided in Scotland.

 

In 2023 Ridgwell was long-listed for the Moniack Mhor International Writers Residency.

 

In 2021 Ridgwell was the recipient of a Royal Literary Society grant for Literary Merit.

 

In 2021 Ridgwell was the recipient of a Creative Scotland Arts Grant to write his latest novel - The Island.

 

A collection of poetry - She Moves Through the Fair - was published by Kilmog Press in 2020

 

Ridgwell Stories - published in June 2015 by New York’s Bottle of Smoke Press - was nominated for a 2016 Pushcart Prize and long-listed for the 2016 Saboteur awards.

 

Ridgwell’s work has also appeared in numerous anthologies. Chiron Review, Abridged, Hanzir, Dwang, Tra Ver Sees, Push, Paper & Ink, Gustave, The Dawntreader, The Arsonist etc…

 


 

                        Also by Joseph Ridgwell

 

Where are the Rebels (2008)

Load the Guns(2009)

Last Days of the Cross(2009)

Lost Elation (2010)

Oswald’s Apartment(2010)

Indonesia(2011)

The Buddha Bar(2011)

The Tsanta Expedition(2011)

Fire Island(2012)

The Famous Ice-Cream Run (2013)

A Child of the Jago (2013)

Cuba (2014)

Ridgwell - Stories (2015)

Burrito Deluxe(2015)

Jamaica(2016)

Mexico (2017)

The Beach Poems (2018)

The Cross (2018)

L’Exaltation Perdue (2019)

Ibiza (2019)

Wolf Star (2019)

She Moves Through the Fair (2020)

The Heist & Other Tales (2021)

 




Buy the book here: https://www.wallingfordpressbooks.com/product-page/victoria-by-joseph-ridgwell

Thursday, October 12, 2023

New Poems: Sanjeev Sethi



Graph

Masochistic tendencies surface.
I fix a rash of Reels to teem with
couples who publicize their closeness.
Does it help to follow a priest
with no scruples?
 
When we distance ourselves
from portière
of protocols
we witness other pitfalls,
newer phizes.
 
Never test a relationship.
Rarely can it escape
an audit.
Excitement has an end:
Nub of temporal numbers.



Debacle

 

Behind the prepped ebullience, I grok 

something I can’t locate words for

but I see it in the wounded,

pushovers on their way 

to the slammer 

or during a perp walk. 

 

This bravado is like a boy 

chasing his school bus 

but missing it by a split second.

Notice his smile 

to no one in particular, 

perhaps to himself.






Rap Sheet


Silence gargles its gravamen against

this or that specter. Attacks and

allegations against the others:

Match us the most.


Onymous criticism has gravitas;

elseways, it's back-fence talk.

In the mind's entrepot,

these must be castaway.


When withered flowers return

to the heart's courtyard,

I collect them in a can

and prepare for potpourri.






Earnings

 

When not whining at the whelk 

in my ring finger

echolalia hotfoots it to the edge 

of a fresh idea, 

the mind is a happy stalker.

 

The trees in my backyard 

talk to me. 

They tell me things 

I need to know. 

This enlarges the ambit.

 

Sometimes, I fall out 

of my center. 

I’m callous and

incapable of being

sensile even to myself.

 

Every sentient being 

is a cormorant 

at some place or phase. 

Let us not be sanctimonious,

dis those in its grip.

 

If we were certain 

there is no God

Karma or fate; 

there would be

a fair playing field. 

 

We surrender to the scud.

In submission, invisible

florets within us, bud.

At vale, the register signs:

This is all we could muster






Versicle


Sexual magnetism

isn't elemental

to a comic's routine:

The risqué is.

The moon is not monogamous

like my own.

I wish to grow a cover

on holm of your sway.


Counsel from truthiness is all wet.

Unmoistened angles

mushroom in logic.

Tenuous links

cart their sinews.

Its flip side is unfeigned.

To an unwilling mind,

every interest is importunate.







Find more on Sanjeev’s poetry on Bold Monkey here: https://georgedanderson.blogspot.com/2018/01/featuring-sanjeev-seth.html

 






Sanjeev Sethi has authored seven books of poetry. His latest is Wrappings in Bespoke (The Hedgehog Poetry Press, UK, August 2022).He has been published in over 30 countries.His poems have found a home in more than 400 journals, anthologies and online literary venues. He edited Dreich Planet #1, an anthology of Indian poets for Hybriddreich, Scotland in December 2022. he is recipient of the Ethos Literary Award 2022. He is the joint winner of the Full Fat Collection Competition-Deux, organised by Hedgehog Poetry Press, UK. In 2023, he won the First Prize in a Poetry Competition by the prestigious National Defence Academy, Pune, during its 75th anniversary in the "family members category." He lives in Mumbai, India.


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