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Tuesday, May 5, 2026

New poems: Jack Lowe



OPEN TO OTHER SUGGESTIONS

Noon, or so. 
A Thursday. 
Another unscheduled day off.
Not sorry. 

I pull into the parking lot 
of my local supermarket 
to buy the pint of bourbon 
I promised myself 
I wouldn’t need. 
Yes, my pants are on fire
and, come to think of it,
my nose has grown a bit.

Standing just beyond 
the entrance is a young man. 
He’s clean-shaven.
His hair is neatly combed.
He’s wearing black slacks
and a white dress shirt, 
open at the collar.
He’s playing a violin. 
His violin case, 
sitting unlatched at his feet,
holds a few odd dollars 
and spare change.

The music the young man’s playing
is, in fact, wonderful. 
It’s the perfect compliment 
to this Indian Summer day. 
Several brain cells ago, 
I knew the piece well. 
Now, my mind falters 
between Beethoven’s Ode to Joy
and the theme song 
for the TV show Taxi.

At one time, 
I would’ve viewed the violinist 
as a fellow artist—
paused, savored the music,
kicked him a few bucks.

Now, I breeze past him
clutching my bourbon fund. 
My first and foremost thought:
“The cops are minutes away.”

This is when 
I almost figure it out—
I’m either old, a drunk 
or an old drunk. 
Although I remain 
open to other suggestions.




THIS IS HOW IT FEELS

Say you’re at work. 
Say that work is 
a department store’s warehouse. 
Say that the store plays music
over its P.A. system. 

Say it’s near the end
of a challenging shift.
Say after a whole day
of playing crap  
by the likes of 
Taylor Swift, N’Sync 
and Gloria Estefan, 
the store’s music system 
manages to spin 
one decent tune. 
Say it’s “Roadhouse Blues” 
by the Doors.

Say the tune soothes you
like a Band-Aid 
on a paper cut.
Say that, one minute 
into “Roadhouse Blues,” 
a certain prick co-worker
starts repeating every fucking line
that Jim Morrison sings.
Say that the prick’s voice 
sounds like a wounded gorilla,
roaring through 
an empty paper towel roll.

This is how it feels—
the urge to strangle 
another human being.




A PHILOSOPHICAL VIEW OF THE WORLD

Paul and Artie are in the men’s room,
standing at the sinks. 
Before washing his hands,
Artie reaches way back and  
scratches his ass, grinning widely. 

“What in hell are you smiling about?”
asks Paul, scrubbing his hands. 
“You look like you won the lottery.”

Artie runs water over his own mitts. 
“It feels like I did,” he says. 
“I saw my doctor last month.
He said I might have colon cancer 
and scheduled me for a colonoscopy. 
I went in for it two days ago.”

Paul grabs some paper towels. 
“Good Christ!” he exclaims. “And?”

Artie pumps the soap dispenser. 
“I got the A-OK,” he beams. 
“All I have are hemorrhoids. 
The doctor told me that 
most guys my age have them.”

Paul towels off his hands. 
“Hemorrhoids are no joke. 
They’re literal pains in the ass. 
Why the sunshine and lollipops?”

“I thought I was dying,”
says Artie, rinsing off.
“God gave me a free pass. 
Every time I scratch my ass, 
it’s like He’s reminding me 
of my new lease on life.”

Paul wads up the paper towels,
shoots them into the trash
and heads for the door. 
“Artie,” he says over his shoulder,
“you have a philosophical view of the world.”




A BIT OF SOLACE

In one of the Rocky movies---
which one doesn't matter---
the little old guy 
who was Rocky's trainer
was preparing him 
for the big bout. 

For some reason---
maybe to sharpen
his reflexes---
the trainer had Rocky 
chase a chicken.
He literally made 
the Italian Stallion 
pursue a chicken 
around an empty lot
behind a slaughterhouse 
somewhere in Philadelphia.

Few people know 
that the chicken 
had a name. 
It was called Contentment. 
I know, because I've chased
that same fucking bird 
for most of my life. 

It's a fleet-footed beast
that can turn on a dime. 
And when you think 
you've got it cornered---
when Contentment is
but inches away---
the bird will take off
and soar overhead,
just out of reach. 

I never managed 
to catch that bird.
As I recall, 
Rocky didn't, either. 
I've found a bit 
of solace in that.  



Bio: Jack Phillips Lowe is a lifelong Chicago area resident. His poems have appeared in Clutch 2026Cajun Mutt Press and Piker Press. Lowe's most recent poetry chapbook, Brautigan's Blue Moon (Instant Oblivion Press, 2025), is available from lulu.com.

New poems: John Grey


ANOTHER TIME

 

He’s from another time.

That’s why he’s smoking

his third cigarette.

That’s why one tiny light

draws you to him

even in the thick of darkness.

 

His was the body you imagined

Now with your touch,

a tingling reality sets in.

Your wayward mind

finds direction in your fingers.

 

You think of how desire

is a small room,

just enough space for two.

And a cigarette is a gentle heat

compared to the flame

that builds inside you.

 

Yes, he’s from another time.

He reads poetry…

to himself

but also out aloud to you.

And there’s a softness to his voice,

a reassurance that, once begun,

good things will continue.

 

He’s from another time, yes,

but so are you now.

You’re shed of the lonely hours,

alive in the shared ones.

 

And when he closes his book,

when the ember of his cigarette dims,

you understand that the light you followed

was never his alone.

It was the flare in your own chest

finally given oxygen,

finally burning steady.

 

 

 



OPENING UP A BOOK OF ART

 

Alone in my apartment, no company but a

reading lamp, the book fell open at The Scream,

A face stretched wide, not in pain exactly,

but in the moment before pain perpetuates.

I’d seen hell before -Rosemary’s BabyThe Omen –

but this was different. No antichrist in a cradle,

no devil in disguise. Just a bridge, a sky

hemorrhaging orange, and a figure who knows

too much and cannot un-know it. Strangers strolled

behind him, unaware of the rupture in the air.

I’ve felt that rupture. The woman in the grocery

aisle herding four young brats. The homeless

guy bullied by cops. Once you’ve seen the scream,

you start to hear it everywhere - in the rustle of leaves,

the tautness of a forced smile, the ringing of

church bells, the old lady arguing with the

young girl at the cash register. It’s in every

silence, every noise. A sky about to bleed. A face

on the verge of eruption. The dread of being human.

The sudden scream. The incumbent scream.

Two hands at the ready yet to weak to hold it in.

 

 

 

 

 

MOVING THE HIVE

 

She is my baton,

a queen, buzzing in my palm.

 

Workers follow,

not as many

but as one,

much but to instinct’s satisfaction.

 

I have made for them a hive,

a citadel of comb and bloom.

I delicately place

the queen within.

The workers thicken around her.

 

I listen in on their conversation:

 

It is summer. The sky is clear.

The sun is a wound

we have learned to love.

 

Soon, we will make honey

from everything that

has tried to break us.

 

 

 

 

 

ALOFT

 

sky-bound,

aloft like a balloon,

away from you,

one light,

 

one winter,

but what’s the chill

compared to

your cold stare,

 

and your painted

war-like face,

angry lips,

nostrils of fire –

 

to the stars, I go,

to the dawn, the morn,

the horizon,

whatever has no hold,

 

out of hearing,

silence for language,

just enough wind

to buffer, not despise me

 

 

 

 

 

MISTER RESTLESS

 

I leave this place

thinking I need

to be somewhere

though I have no idea

where I’m headed.

 

But I’m on the move,

that’s the main thing.

I don’t turn around.

I don’t even look back

over my shoulder.

It’s not as if I have

somewhere to be.

But I do have

somewhere to leave.

 

I’ve got these

perennial itchy feet,

this restless mind,

this distaste for even

the most temporary

of permanence.

 

So it’s goodbye

whoever you are,

farewell your life,

your ideas,

your memories,

your passions,

your likes and

your loves.

 

I’ll be elsewhere

before you even know it.

That’s how I am.

I fear commitment.

To another person.

But, more so,

to the ground

I’m standing on.





John Grey is an Australian poet, US resident, recently published in New World Writing, Santa Fe Literary Review, and Lost Pilots. Latest books, ”Between Two Fires”, “Covert” and  “Memory Outside The Head” are available through Amazon. Work upcoming in the Seventh Quarry, La Presa and California Quarterly..