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Showing posts with label Featuring. Show all posts
Showing posts with label Featuring. Show all posts

Wednesday, March 29, 2017

Featuring Wayne F. Burke



Gold

my Uncle tells me to go
upstairs
run!
bring back his bowling shirt,
white with gold letters
yes master
right away
but I hesitate a second too long
and feel the pinch of his fingers
like pliers
on my earlobe
and am led around the
table
a kind of dance
not a waltz
a tango
of pain
that does not end
when he lets go
I carry it with me
up the stairs
and back down
through the years
the gold of the shirt
staining my hands
and nothing I could or
can do
to get the stain off.


scars

I was back in my hometown
and met a guy
I knew
in a bar
I had not seen him in years
he asked me how
I got the scars
on my face
I did not know they were that
noticeable
I could have told him
it was because I had lived a little
but did not
he would not have understood
he had never left town,
his face was as unmarked
and smooth
as it had been in High School
where we had been children
together.


Eagles

two brick chimney stacks
as high as the misty mountain top
of snowy Greylock
which an eagle perches over
grey & white
wings outspread
while
on the street of a sidewalk 
below,
outside a funeral parlor,
my cousin
the solitary hiker
tells me stories of his exploits,
as my sister
in a box
inside
leaves to hover
for a moment
with the eagle
before both
fly off.


Henry Charles

Bukowski sits on a stool
at the supermarket cash register
fat-rolls around his belly and straggly hair
he wears a fire engine red supermarket shirt
and is bullshitting with a woman customer
instead of ringing me up
and I get upset
grab the glass jar of oil, or honey, or
whatever,
and stalk off without paying
and go to the back of the store
(I work there too; wear the same red shirt)
and meet Jigs, a childhood pal
and say "fucking Bukowski is on the register"
and he says "Chinaski?"
"Yea."
We get onto an elevator.
The oil, or honey, or whatever
is all over my fingers
because the jar leaks.


beavers


I worked as gas station attendant
for Harold's Gulf
the blue and orange sign
and Harold
in his office 
smoking a cigar
"goddammit!" he'd bark
"don't squeal the tires!"
I went to work hungover
and sweated through
my blue Gulf Station shirt
Harold called me into his office
told me that I had B.O. and
I should do something about it
I said "thanks Harold, I will,"
and went back into the garage
where it was shady and the sun
could not hurt my eyes
and where the car noises hurt my ears
less;
I watched for beavers whenever I washed the
windshields of cars:
beavers were the best part of the job
besides the pay check



Wayne F. Burke's poetry has been published in a variety of publications. His three published poetry collections--all from Bareback Press--are WORDS THAT BURN, DICKHEAD, and KNUCKLE SANDWICHES. His chapbook PADDY WAGON is published by Epic Rites Press. He lives in the central Vermont area.

Wednesday, October 5, 2016

Featuring the Poetry of Sudeep Adhikari


Shapes of Fire

Everything is a lie
a lowly spoof,
a grotesque caricature
of a paradise lost;
Except the fact
we all are each other
reciprocal dreams.

Matter is no more
than the spirit on meth
and the whole conscious world
we have crafted
out of our head
Is just a madman’s dream.

We all are shapes of fire;
A singular super-soul
celebrating psychic entanglements
in God’s vineyard.


The Fractal Maze

The splattered fuzz converges
 like a chiaroscuro, to tell the stories
of becoming and noise.
I am lost in a fractal maze,
but I don’t regret.

We think we are too small
 to be the infinity, too frail to dwell
in the folds of a dreamscape.
we think we are the limited hues
of color, caught within the
perimeter of a white canvass.

I keep zooming into myself
and all I can find is me.
I am everywhere. I am the only one
I am the God, whom no religion teaches. 


Give Me Some Noise

The roads are leeching alien blood, not red enough
to be mine. Concrete cadavers,
they don't speak with me, but scream at my face
on a rainy September day.

My city is just one
 gigantic fucking anxiety; Goddammit !
A beautiful pain, almost a poem.

Peel the orange raincoats. Watch the sewers throwing
 up on holy waters, fumes of lust and dust.

At the moment, all I need is a self-effacing kiss,
 like the way breezes make love with
the clouds. A kill that builds rainfall, roses and frogs.

Cables are dancing, and I am sliding down
 the slope of colored birds. Please give me some
noise for the peace of my No-Mind. 


Short Bio: Sudeep Adhikari is a Structural Engineer from Kathmandu, Nepal. His poetry has found place in many online/print literary journals/magazines, the recent being Red Fez, Kyoto, Uneven Floor, Dark Matter Journal, Open Mouse, Outsider Poetry, Devolution Z, Your One Phone Call, The Beatnik Cowboy and Pinyon Review.

Tuesday, July 5, 2016

Featuring Karina Bush


Pan

You must listen
I catch this male apparition
Nude and healthy and animal-legged
Taunting for the hunting

It is down below I feel you
It is there I hear your song

You are in my sleep
I come for you in the morn
I need you to show me nature
More than just this wooded glen

It is down below I feel you
It is there I hear your song

I’m riddled with this
I’m riddled I can dance
I can be a woman
I can be a little girl
I can be an animal
I can scream louder than you can
I need you Pan
I will lick your hindquarters clean
Take me, I plead

It is down below I feel you
It has been two thousand years

You must listen
Winter will soon thin the wood
And my sleeps will grow deeper
And I will find you



His Beauty

His maleness
Can't breathe in it
It's so much
And it hasn't even broken
I'm only in the tension stage
Of male beauty
Adoring restraint
I know my only weakness
And I need to be there
When his restraint breaks
Breaks all over me
I need to see his insides
He is the most beautiful man
And I can't



IV.

I tried to speak
My mouth filled with love

I spoke flowers
Pouring out of my mouth

He kissed me
So I filled him up with them

They will each fruit over time
He will know my love

And when the final flower fruits
I will flower him again

For eternity I will perpetuate us
And we will perpetuate eternity



Karina is an Irish poet. 'Maiden' is her first published collection.

For more information about Karina Bush’s writing: http://www.karinabush.com/
Follow her on Instagram: https://www.instagram.com/karinabushxx/

Tuesday, June 21, 2016

Featuring Tim Peeler


Here’s a preview of some work from Tim Peeler’s upcoming third book of baseball poems titled Wild in the Strike Zone.


HOW YOU GET TO HEAVEN

My dad’s magical thinking
Transported him beyond reality.
He believed his sons would
Be major leaguers, and that
Having not worked out,
He believed his grandsons
Would be major leaguers;
Then he eventually believed
That he might just have been
A major leaguer at some point,
About the same time he became
Convinced that someone
Had moved him to the wrong house
During the middle of the night
And had carefully placed
All his furniture where it was
When we sat and talked about it,
And he also believed when
He called me at three in the morning
That if I left my house immediately
And came over to his to transpose
His life story that his chances
Of being elected to the hall of fame
In honor of his major league
Pitching career might be improved
So I drove forthwith and arrived
With an ink pen and notebook,
After which I sat and he began,
I was born on a dirt farm
Next to a muddy creek
In rural Rowan County
And I wrote it down
As outside I could hear
The roar of the crickets
And inside I could hear
The buzz of the fluorescent light.




SOMEONE ELSE’S BOY

Sunlight sewn across the field
Like millions of perfect teeth
You could not settle to watch
The one who never fit in
And you knew that God made him
That God distributed burdens
To those who could handle them
And you heard his mother pray
When it came his time to hit
He stood there confused leaning
Bat on his shoulder watching
A strike then a ball then a
Strike as your stomach tightened
And you hoped with all you had
Uttering your own quick prayer
But he swung late like the gate
That closes after the cows
Are all gone and his mother
Felt angry then bitter and
She turned away as if he
Were someone else’s boy.




SCRAPDOG, 1944

Kids just went where they wanted then;
There wasn’t a rec center or little league,
But the mill hill boys had a team,
The town school boys had their teams,
And we’d walk two or three miles
To a school playground or a vacant lot
Big enough to put out rocks for bases,
And maybe somebody’s older brother
Would umpire from behind the pitcher,
And the ball would be one stolen
From outside the college field
By a boy who had his ass beat
On the first try but somehow escaped.
Three or four guys had gloves that
We shared with the other team
So that everybody but the outfielders
Had one, and the catcher might be
Beaten to a pulp or busted in the nuts,
But the game went on till the first
Team scored twenty runs and then
A fight usually commenced
Till we got so tired of cussing and punching
That we limped back to the hill
Full of victory and the anticipation
Of the next Saturday and the next
Till the day we’d have to go to high school
With those town boys and we’d
Be fighting them again
For their girlfriends.




THE MIRACLE AT CONCORD

The two mill towns hated each other
And they packed old Webb Field
On a Sunday afternoon in the 20’s,
Women dressed in their finest,
Dresses and hats, men in Sunday suits,
Yet there were bottles and knives
And bets aplenty so when the ump
Called a hometown boy out at the plate
In the bottom of the first, they began
To move down from the stands
Toward each other wielding weapons,
And just before the first blows landed,
A rain erupted, biblical in its ferocity,
Four or five inches deep on the field,
And the crowd fled in their ruined finery,
Walking to their lookalike rental houses
Only a few blocks away where
It had not rained a drop.