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Friday, June 26, 2020

Featuring Tohm Bakelas


invisible suffocation 

it happened again. i don’t know how it found me 
this time, but someone must have sold me out. 
i was alone in medical records, reading a former 
patient’s chart when i felt it. i couldn’t avoid it. i ran
from the room with my papers clutched in my hand 
like a crucifix until i reached an unfamiliar ward on 
the second floor, but it was there too. it kept hunting 
and following me. and on the third floor i was 
walking with patients, but it found them too. they 
began screaming and instructed me to flee. i managed 
to get into the staircase where i leapt down two flights 
of stairs before making it to my desk. but when i got 
there, it was sitting in my chair, calmly waiting. and so 
i submitted to it. and on lunch break it rode as my 
passenger, my copilot on this journey in hell, its claws 
clasped between my ribs, with strength that 
manifested from all the years of sadness from this 
hospital. my watch offered no escape. 4 o’clock was 
three and a half hours away. that’s a long time to wait 
in a sadness that is not yours.


stale air

she smokes a cigarette 
with her current lover, 
they’ve been at it for months. 
I walk in circles in the rain, 
stumbling and pacing, 
trying to feel the falling rain, 
trying to feel anything. 
another night wasted, 
another night spent 
getting wasted. 
inside I sit alone. 
the countertop 
is covered in beer 
and dollar tips. 
I watch a single black ant 
pace between patrons and
study his environment 
with his feelers. 
I pick him up, 
but it’s too much power, 
I let him down. 
a blonde with a terrible 
neck tattoo that reads “overcome”
smashes him with one swift move. 
my former lover 
passes by and 
squeezes my left side. 
I think about how the ant
got the better deal.



Entrance/Exit 

A grassroots initiative
to start a revolution
came together
on a foggy night
in November hell.

“Shit,” I yelled, “I’ve got 
four gallons of 
unopened kerosene!”

Silence rushed in like waves breaking
on the shores of Gloucester;
One person in the room
stood up and clapped;
Mice were heard fucking 
between the walls;
Eventually peace talk resumed
and a pigeon flew into a closed window.

On Friday I get paid,
I’ll eat two pizza slices 
and watch the cars go by. 

i always hated new york

she stares me in the eyes 
and i look back— 
two souls unbroken 
and never to be touched— 
the line is severed and
it’s nothing more than 
a passing glance. 
i see the sorrow, 
she sees the misery.
tonight when the moon 
says nothing, 
remember 
my eyes 
said 
something 


old man behind a cemetery

I watched an 
old man 
drag two 
sleeping bags 
into the 
woods 
behind a cemetery
and I watched 
as his 
silhouette 
faded 
into the woods. 

I sat for
a while 
wondering 
if I 
should 
check in 
on him or
call the police
but instead 
I read
a book. 



Update: See also five haikus by Tohm here:


TOHM BAKELAS: 
Tohm Bakelas is a social worker in a psychiatric hospital. He was born in New Jersey, resides there, and will die there. His poems have appeared in numerous journals, zines, and online publications. He is the author of several chapbooks and a full length book of poetry. His work has been nominated for the Pushcart Prize and he intends to conquer the small press and exclusively publish within.  

CONTACT:


Email: tohm.bakelas@gmail.com

Website: https://tohmbakelaspoetry.wordpress.com

Instagram: @flexyourhead

Saturday, June 20, 2020

Featuring John D. Robinson



PASSING THE BOTTLE
‘Don’t come round here,
drunk and shouting the
odds, you’re nothing,
you’re not welcome, I’ve
got nothing for you and I
mean nothing, I’ve
given you all I’ve got,
you’ve had it all’
she held the baby and
began crying:
he wouldn’t forget
that as he walked 
away and many years
later he’d re-tell the
sob-story over and
over as we sat
huddled and
whispering bullshit
in a public shelter
as it rained
as it snowed
as the sun shone,
night,
day,
days, weeks,
months, years,
no one ever told
him to shut the
fuck up,
he was a very
generous wino,
he even
claimed to have
a bank account.



THE SHRIVELLED MIND 
‘I’ve got feelings for her’
he told me,
‘Fuck, I’ve got feelings
for most women’ I said,
‘No! its more than that,
it’s keeping me awake
at nights’ he said:
‘Okay, what about your
wife and kids, how do
they fit in with these
feelings?’ I asked:
‘I know, I can’t help
myself’ he said:
‘Listen man, she
thinks you are an
ugly-fuck with small
hands and a 
shrivelled brain’ I lied
to him: 
‘She told you that?’ he
asked, looking almost 
hurt:
‘Several times’ I
replied ‘She loves her
husband and children’
‘What shall I do?’ he
asked ‘I’m, crazy for her’
‘Drink’ I told him,
‘it always works for me’


John D Robinson is a UK based poet: hundreds of his poems have appeared in print and online: he has published several chapbooks and three full collections his work and appears in numerous anthologies: 'Red Dance' Uncollected Press USA is his latest collection: his work was recently published in 'The Ragged Lion Press journal #2' UK.

Saturday, June 13, 2020

Highly Recommended: Lucia Berlin A Manual for Cleaning Women (Picador, 2015) 428 pages


Lucia Berlin (1936-2004) did not receive wide spread recognition for her short stories until after the publication of this posthumous book by Farrar, Straus and Giroux in 2015, over ten years after her death. Initiated by Berlin’s friends Barry Gifford, Michael Wolfe and editor Stephen Emerson, it features 43 of the 76 short stories she wrote during her lifetime. The poems are arranged in order of their first publication in book form. This outstanding collection rightfully became a New York Times best seller and has been translated into at least 21 languages.

Berlin published six books of short stories between 1977-1999 through the small press, the best known were through John Martin’s Black Sparrow Press, Homesick: New and Selected Stories (1990), So Long: Stories 1987-1992 (1993) and Where I Live Now: Stories 1993-1998 (1999). 

Lucia Berlin was married three times by the time she was 30 and worked at a variety of jobs including relief high school teacher, cleaning lady, doctor’s assistant, hospital ward clerk and switchboard operator. In later life she taught writing at UC and was highly admired by her students: https://en.wikipedia.org/wiki/Lucia_Berlin

Many of Berlin’s stories are mildly disguised autobiography. In Lydia Davis’s Foreword: ‘The Story Is the Thing’: https://www.newyorker.com/books/page-turner/the-story-is-the-thing-on-lucia-berlin she quotes Mark Berlin, Lucia Berlin’s eldest son after her death:

“Ma wrote true stories, not necessarily autobiographical, but close enough for horseshoes… Our family stories and memories have been slowly reshaped, embellished and edited to the extent that I’m not sure what really happened all the time. Lucia said this didn’t matter: the story is the thing.”

Davis surmises, “Of course, for the sake of balance, or color, she changed whatever she had to, in shaping her stories- details of events and descriptions, chronology. She admitted to exaggerating. One of her narrators says, “ I exaggerate a lot and I get fiction and reality mixed up, but I don’t actually ever lie.” 

Here’s are some of the best short stories to be found in A Manual for Cleaning Women (2015): 

Angel’s Laundromat (from Homesick)

This is a terrific story to open the collection. It quickly establishes Berlin’s alternative press credentials. The story is told through the eyes of Lucia (pronounced Lu-chee-aby Tony the Jicarilla Apache, a World War II Veteran) who frequents the laundromat in Albuquerque, New Mexico. The story combines reportage with shrewd character analysis and social observation. 


Good and Bad  (from So Long)

This story is told from the point of view of a young unnamed female student who attends the elitist Santiago College Chile in 1952. Her father is an American mining engineer with links to the CIA. Miss Ethel Dawson, a casual teacher at the school, tries to radicalise and instil a sense of social justice in her student by getting her to help feed the poor and partaking in the revolutionary struggle through poetry readings and demonstrations. Berlin drew upon her privileged upbringing in Chile to show the great divide of wealth and power in the country and the difficulty of political and economic change. 

Her First Detox

Berlin battled with alcoholism for decades before conquering the stuff for the last 20 years of her life. This remarkable story is told through a third person account of Carlotta- a young, naïve teacher, clearly Berlin’s alter-ego. The language is pared back and the events described sparkingly clear.

Her stories ‘Step’, ‘Strays, and most importantly, ‘Unmanageable’ in the collection also explore the downside of addiction in a gritty, realistic way.

Here It Is Sunday (previously published in Where I Live Now)

This story is narrated by Chaz, a habitual criminal who recounts from County #3 prison how Mrs Bevins, a writing teacher (based on Berlin’s experiences at the SF County Jail) helps the prisoners put together a magazine of their writing. 

Let Me See you Smile (previously published in Where I Live Now)

The story is told through two alternating narrators- Jon Cohen, a public defender and Carlotta Moran (Maggie), based on Berlin, who hires Cohen after she is charged with a string of offences, including attempted murder, after a serious incident at San Francisco International Airport. This is the longest short story in the collection (31 pages) and candidly depicts a life of reckless abandon and alcoholism which inevitably spirals its way into the Courts.

Tiger Bites  

Told by Lou (Mary Moynihan), 19, she describes attending a family reunion in El Paso after her husband Joe has left her and their child to pursue a Guggenheim scholarship in Italy. She is four months pregnant and her flamboyant cousin Bella Lynn arranges for her to attend a Mexican abortion clinic. This highly realistic story wavers between hilarity and immense sadness.

Read the story here: https://lithub.com/tiger-bites/

A Manual for Cleaning Women

This is a brilliant story which is layered through the various arcs in which the unnamed narrator (presumably Berlin who worked in the industry) unfolds- the various buses to catch, the eccentricities of her clients, tips for cleaning ladies and her reflections on her former partner Ter. 

Find the title story ‘A Manual for Cleaning Women’ here: https://www.shortstoryproject.com/story/a-manual-for-cleaning-women/

                                                          Acapulco, Mexico, 1961

Buy the book here: 


REVIEWS:

Dale Smith’s review of the collection in Brickhttps://brickmag.com/a-manual-for-cleaning-women-by-lucia-berlin/



The Paris Review: Rebecca Bengal ‘But I Don’t Ever Lie: On Lucia Berlin’ (December 2018):  https://www.theparisreview.org/blog/2018/12/11/but-i-dont-ever-lie-lucia-berlin/

ESSAYS:

Economy and Endings in Lucia berlin’s A Manual for Cleaning Women: 


A follow-up collection, Evening in Paradise: More Stories (Farrar, Straus and Giroux, 2018), includes a further 22 of Berlin’s short stories: https://www.amazon.com.au/Evening-Paradise-Stories-Lucia-Berlin/dp/0374279489

In comparison to A Manual for Cleaning Women this collection is lightweight. There are a handful of excellent short stories including 'The Adobe House with a Tin Roof', 'La Barca de la Ilusion', 'Lead Street, Albuquerque', 'Dust to Dust' and 'Noel. Texas. 1956' which could have been easily included in the first posthumous collection. 


Welcome Home: A Memoir with Selected Photographs & Letters (Farrar, Straus and Giroux, 2018) is another book which attempts to take advantage of the success of A Manual for Cleaning Women (2015). It was being developed by Berlin and unfortunately she died in 2004 and the last version of her manuscript ends in 1965. 

The most interesting section 'Welcome Home' includes 73 photos and helps to reader to fathom how Berlin shaped some of her real life experiences into fiction.

The second section 'Selected Letters, 1944-1965' is misleading as the vast majority of letters are written by Berlin to her friends Ed and Helen Dorn between 1959-1965. Ed Dorn was her teacher at the University of New Mexico in the 1960s and in 1994 he brought Berlin to the University of Colorado where she spent the next six years before she had to retire because of her failing health due to complications related to her scoliosis condition.