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Showing posts with label American poet. Show all posts
Showing posts with label American poet. Show all posts

Wednesday, February 18, 2015

Featuring the poetry of Frank Reardon




DUST
at nineteen he ran through
the jungles
with a telephone on
his pack
screaming out for his mama
while bullets aimed directly
at the receiver
placed
ten inches from his head
zipped by his body.


at twenty
he carried a pack of Marlboro's
in his helmet
and played poker
outside the crumbling walls
of Hue
with the other unfortunate boys
who made it past
the initial three week
trial period.


at twenty-one
he smoked opium
and listened to The Doors
in sandbag bunkers
with Big Jim Stone
from Fort Wayne,
together they learned
the essential hate trade
with the words gook
and charlie.


at twenty-two
he kissed a Saint Michael medal
with long napalm tears
covered in mud
when he couldn't
remember if he had killed
five or fifteen men
with a Jamming Jenny.


at twenty-three
after taking two in the leg,
one worth a ticket home,
the other, smashing one
of his baby makers
into a million pieces;
he was airlifted high above
long lines
of black body bags
shining
in the Vietnamese sun


at twenty-five
they gave him a minimum
wage job
in the post office
where he spent long nights
locked in the bathroom
vomiting guilt, death,
screams and panic attacks


at forty-five
he developed a skin condition
called Orange
and he sold his war stories
to anyone who would listen
to the emotional vampire
who pushed his forearm weight
down on a child's throat


at fifty-three
he had a massive heart attack,
the jungle escape routes
in his arteries hardened
from years of smoke, misery,
fear, hate and judgement


at fifty-five,
after many years of midnight
ghosts that haunted
his dreams, who came to him
screaming with legs, arms
and faces blown off.
After years of unknown voices
screaming "baby killer"
into his empty skull,
After thirty long fuckin' years
the mental hospital finally
taught him how to cry
when they unlocked
their enormous iron doors


at sixty
he went to Washington D.C.
to visit The Wall,
and he searched for hours,
looking for names, names
that haunted
his sleepless nights,
names that he tried to put
back together but couldn't,
names he carried on his shoulders
like ten tons of steel
day in and day out


and when he finally found one,
he soon found another
and then another,
he moved his fingers
along the chipped away granite
that spelled out their names,
and when he took a breath
it was his first breath
in forty years
because he finally realized
that a forgotten friend in the hands of the living
is made from dust.


LONELY LARRY
Everyday Larry walks into the lumber yard
with his head down due to years of bad posture.
His hair, fake or not, looks like a blond toupee,
and he twiddles his fingers in mad circles
when he speaks. Mona, the cashier,
calls him "Lonely Larry." She says it whenever
he leaves the room. "Lonely Larry, poor-poor,
Lonely Larry." During the day Larry is a lumber
merchandiser and he takes his job very seriously
even if his corduroy pants are pulled up over
his belly button. He looks like a giant Weeble
most days, and he's a massive billowing shit-talker
from years of love lost, everyday. While fastening the Velcro
straps on his gray sneakers, Larry likes to remind
me of his youth, how in his 20s he was a ladies' man,
a sure-fire chick magnet. He says it was
all due to his over-use of cologne and gold chains.
I find it hard to believe, especially since his work apron
has his name painted on it with large purple letters
and bedazzled silver rhinestones, though he's done
a great job convincing himself of his prowess. Whenever Kayla,
the woman with the perfect ass, the woman who can
speak perfect French, says "hi," Larry's
fake deep voice turns high-pitched and nasally.
He's 60, but whenever that French painting
struts by with her big black boots he turns
into himself:  quiet, nervous, perverted, the shy little boy.
At night Larry is a quiz show genius, a Game Show Network
lunatic. Sitting in his father's old leather recliner,
he tries to solve puzzles on The Wheel of Fortune
while sucking root beer from a straw. "Buy a vowel!"
he shouts as he twists off the top of an Oreo
so he can lick the cream filling.
"Why won't she buy a fucking vowel!?" he asks
his purple and yellow canary sitting in its brass cage,
but the bird never replies, it just sits
on a perch rapidly moving its head and chirping a song.
Poor-poor Lonely Larry, the game shows are over
and the symphony has gotten so cruel
with night songs that Larry must go under his bed
and pull out the old box with the frayed cardboard cover.
Inside: ancient comic books that he had saved since
he was a child. And with teeth clenched upon bottom lip,
he savours each action packed square,
each crime fighter's heroic action, each word floating
inside its cartoon bubble. The hands are weak, the sweat
is real, the foreboding feeling in the dark pulls
at lost eyes and surrounds him with panic.
Soon Larry will climb into bed. "Gotta get up at 4 a.m.
and do it all over again," he'll whisper to himself.
It's the same thing each day and night, the perfect
hell on earth, relived day after day and night after night.
The perfect assassin with the perfect bullet,
inching closer and closer by the second until
it burrows in us all
and plants the great seed of denial.



BLUEGRASS BABY

She likes to dance on the back deck
in her tight jeans and listen
to Bluegrass: Bill Monroe, Earl Scruggs,
Lester Flatt. She spins in circles.
Her hair, an array of sharp knives,
cuts through the sun and splatters
it all over the sky. She's fast banjo honey.
She's still spinning.



JEREMIAH
Somewhere outside
Tomah, Wisconsin,
upon numb ass,
tired and defiled,
the Amish man
who smelled of bologna
and odd starch
leaned in and asked
if I was a farmer.

His beard of no moustache,
his hat of straw,
his shirt of blue tears,
and his crazy eyes
from another man's nightmare
patiently
awaited my response
with a boot tap.

I contemplated
the question
for a moment
as I watched
the big dipper
touch the new earth
from the night window
of a narrowing
greyhound seat.

Fuck.




KEEP TRYING
As I piss on the empty beer cans
outside the backdoor,
I watch the steam
of all that's still possible
rise up from the ashes
like an angry set of fangs
preparing to bite down on all
that has been given.



UNCLE LEO'S CLOUD OF SMOKE.
at my grandfather's wake
Uncle Leo & i
smoked cigarettes
together
in the Croswell Funeral Home
basement,

Leo's face: drawn out,
blank, quiet
& listless
as he inhaled
Lucky Strike
after Lucky Strike
into his bony
&narrow face,

Leo must've smoked
15 non filtered
cigarettes
to every one of mine

& it did not phase him,
in fact, he never once
coughed or uttered
a single word to me,

until, i asked
"Uncle Leo,
what was my grandfather
like when he was younger?"

Leo leaned forward
from the chair
& let the slits
of his blue eyes
cut through
the smoke cloud

"he was the toughest
son-of-a-bitch
i ever knew!" he shouted
"there was not one
person
who could've out drank,
out worked,
out punched,
or out lived Francis!"

& as quickly as he
appeared
to me
he once again
vanished,

back to his
safe & secure cloud
of smoke,

where each one
of his inhales
sent him
back to his youth
so he could have
at least
one more beer
with his brothers
in South Boston
Dorchester,

&his cloud of smoke
continued to grow
bigger
&bigger
around our heads

because
he had to keep
lighting
more & more
cigarettes

because
with each exhale
came the agonizing
reminder
that he was truly
the last one
left.




Frank Reardon was born in 1974 in Boston, Massachusetts, currently lives in Monot, North Dakota. Frank has been published in many reviews, journals and online zines. His first book, Interstate Chokehold, was published by NeoPoiesis Press in 2009 as well as his second collection Nirvana Haymaker 2012. His third poetry collection Blood Music was published by Punk Hostage Press late 2013. In 2014 Reardon published a chapbook with Dog On A Chain Press titled The Broken Halo Blues.

Saturday, October 11, 2014

Featuring Poet Lawrence Gladeview: Small Towns, Big Mouths


Lawrence Gladeview is a minimalistic American poet who uses personal anecdotes to make sometimes joyful, sometimes wry comments about life. His first two books Just Ignore the Beer Stains and Lowlifes and Fast Times and Occasionally Love have previously been reviewed by BOLD MONKEY. His latest release, Praying For a Spare (2014, Epic Rites Press) will soon be reviewed.

Bio:  Lawrence Gladeview is a barroom raconteur and the author of three poetry collections.  His writing has been published in magazines around the world and his books are stocked on the shelves of independent bookstores as well as university libraries.  Lawrence lives in Denver, Colorado with his wife Rebecca.

Sherry Said

i’m 
heading out
to hancock fabrics

be back
in ten

what do
you need
from there?
steve asked

fabric steve
what the 
hell else
would i get?

you know
what i meant
steve said

you’re right
sorry
sherry replied

i’m knitting
scarves
for the twins

well i might
not be home
when you 
get back
steve told her

i’m heading
to the 
hardware store

for what?
sherry asked

a new hoe
& thrusting screw.


Stan & Barbara

came home 
to the
teenage neighbors 
shoveling
their driveway 
& walk

you really should 
get some salt 
to throw down
on your driveway
the oldest one 
advised stan

a few 
minutes later

the boys rang 
the doorbell 
&
lingered

hoping
stan might offer
them cash 
or a check

you really should 
ask about 
payment 
before
being so bold 
as to 
expect it

stan advised
them in return

shutting the door
in their 
rosey red

faces.


Ralph

was an
experienced
skier

it was
marla’s
first time
on the slopes

every
lift ride up
ralph would
give marla
pointers

you need
to move
your hips
& straighten
your
legs more
he told her

just watch me

that run
ralph went
speeding down
the hill
& fell in a
grand display

his skis
& poles
were thrown
everywhere

marla came
to a stop
behind him
& yelled

yard sale!







Don Hates

the
radio

he
always
says

good
lord
turn off
that
pansy

high
singing
bull

you
turn on
a radio

you
turn on
the dodgers
&
that’s it

carl
could
give
a shit


he’s a
yankees

fan.



This Snow

is the 
soft kind
daryl remarked

what?
shane asked

this snow

it’s the soft kind
& not the
heavy wet kind

so what?
shane said

it’s probably
what kept
the airbags
from
deploying
daryl replied

daryl 

will you just 
shut up
& help me
get the car
out of 
this ditch

lord knows
i can’t afford 
another d.u.i

& don’t forget

when doris
asks what
happened

we hit
a deer.



Are Those Pigeons?

trixie
asked arnold 
as they
waited for
the light
to change

huh?

i don’t know
arnold replied

it’s certainly
hard to tell
trixie said

they could
be doves

what does
it matter
if they’re pigeons 
or doves?

oh it doesn’t
trixie said

just making
friendly 
conversation

friendly conversation?
arnold thought
to himself

for two hundred
up front
it should be

do you prefer
missionary
or 
doggie style
big daddy?



The above poems have been published with the permission of Lawrence Gladeview. The poet would like to acknowledge that the poems previously appeared in the print publications PigeonBike Press, Mad Rush Quarterly and Every Reason Magazine.


Visit Lawrence Gladeview’s website to check out his books Just Ignore the Beer Stains (PigeonBike Press), Lowlifes, Fast Times & Occasionally Love (Erbacce-Press) and Praying For a Spare (Epic Rites Press) here: http://lawrencegladeview.com/






                                                                                                                                    His latest chapbook: