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Tuesday, May 28, 2019

Featuring Brian Rihlmann


THE QUESTIONABLE MOTIVES OF A POET

One writes nothing
but drunken threats
of razor blade suicide,
and another, endlessly,
about heartbreak,
and picking up
the broken pieces.

He writes love poems
to a long gone
high school sweetheart,
and she pens sonnets
about nature’s majesty
and the glory of god.

And there are the fuck obsessed,
and unabashed lovers
of bondage ropes,
and the sting of the whip.

And purveyors of fantasy:
knights and maidens,
elves and sorcerers,
and fire breathing dragons,

or those who travel
acid trip realms of the surreal
and write things like:

“cricket shadows scream
red moonlight bleeds
lizard tails slither
across weeping skies
thorny vines grow
from fiery eyes”

it’s as though an artist
took a wet shit on canvas,
and smeared it around
like a toddler’s finger painting.

He knows what it means...
but I sure as hell don’t.

And then there’s the guy...

who plumbs the rotten underbelly
of every bright and beautiful thing,
who sees dark mischief
in every child’s smile,
and hears the death rattle
in a newborn’s cry,

who waves his dirty laundry
under your nose
seeking salvation,

and who somehow believes
that if he confesses everything
that makes him an asshole....

then he can go on
being one,
with impunity,

and maybe even
get laid because of it.

“The world’s last honest man” right?

I’m sick of that guy.
Smile,
you fuck.


THE OLD CRONE DOES HARD TIME

I generally cringe
when I hear glassy eyed, new age types
talking about transmigration of the soul
as though it were an absolute fact, like gravity.

But there’s something to this idea
of the “Old Soul.”

Because there’s an old woman
in here. A real old crone. Nasty as fuck.
She’s been around, ya know?
Been through some shit.
Jumped from one skin sack
to another, for who knows how long.

She knows all the tricks.
The mercenary ways
of brain and heart.
She’s heard every bullshit excuse,
and alternately cackles
or groans at most
of what people say and do.

She sits on the front porch
of my house human,
slowly rocking in her chair,
spittoon on one side,
shotgun on the other.
Loaded and cocked.

I can picture her standing
before a tribunal of the powers that be,
before being sent back here
from the underworld.

I see a half-circle of black hooded men,
their faces lost in shadow,
as she practically begs
“Please guys, not another body...”

But they laugh,
and off she goes,
flipping the bird on the fly,
and her “fuck you” translates
into my first ever scream,
as I am yanked out
into the cold.

The unsuspecting parents
wind up with a baby
who looks at grownups like idiots
when they babble at him
or play peekaboo.

People say he seems pissed off.
Resentful. (Well, no shit!)
He doesn’t smile much,
or pose for photos,
or play well with other children.

And doesn’t cry
when the goldfish,
or the dog,
or people,
die.

He knows better.
Or she does.


SUCCESS STORY

Once having seen
the kind of life
that awaited,
a bowl of oatmeal
bland and grey,
my ambition fizzled
like a pissed on flame.

Success became redefined 
as a futile struggle
to smash every 
faded yardstick 
to splinters,
to run down 
their roadside mileposts
leaving them mangled
in my wake,

and to break myself
against the secret
stone tablets
locked deep
in my vault.


See more work from Rihlmann here from a 19 July 2020 BM post: https://georgedanderson.blogspot.com/2020/07/featuring-brian-rihlmann.html



Brian Rihlmann was born in NJ and currently lives in Reno, NV. He writes mostly semi-autobiographical, confessional free verse. Folk poetry...for folks. He has been published in Constellate Magazine, Poppy Road Review, The Rye Whiskey Review, Cajun Mutt Press and has an upcoming piece in The American Journal of Poetry.

Friday, May 17, 2019

New Release: John D. Robinson HANG IN THERE (Uncollected Press, 2019)


Here's a book many of you have been waiting for- John D. Robinson's first full-length collection published by Uncollected Press. Ninety-nine poems most of which have not been published in book form previously. Limited to 100 numbered and signed copies.


John D Robinson’s first full collection: 99 poems a majority of the poems appearing in book form for the first time, published by ‘Uncollected Press’ USA: 1stedition: 100 signed copies:
$15:00 + p&p
£12:00 + p&p
€15:00 + p&p

Cover art  Henry Stanton

I have been reading the poems of John D. Robinson in chapbooks, broadsides and magazines for a while now and I’ve alway’s been impressed by the honesty and truth within them. Robinson pulls no punches - he documents life in all its beauty and terror. If it’s there in front of him, he records it for us all to see. It may not always be a comfortable ride, but it’s one worth taking every time. It’s really great to see that this first full length collection of poetry is now available in “Hang In There.” Whether he’s writing about women or men and the relationships - intense or passing - or the joy, pain, sex or violence that are part of their lives you know there’s no lie in the words he writes. He has a camera eye that records the larger picture but also picks out the small details. He writes of the disenchanted, the disenfranchised and the disturbed, but always with an acute sense of understanding and an ability to make the reader feel something real. Robinson is a poet who hits the mark over and over and “Hang In There” is full of shots on the bullseye. Read it. You may not always feel comfortable, but you will feel alive. So, buckle up for the ride and “Hang In There.”

Adrian Manning: Concrete Meat Press:

ORDER NOW
PAYPAL:   johndrobinson@yahoo.co.uk