THE HERMIT
off rink
i think
and sit
like a hermit
but time
isn't mine
to design.
the images erased
from memory in this cave
reverses the lathe
of shaped corruption
to avoid self destruction.
to an unseen, individual,
prime residual
unlit spark in the integral
strum of strings
that turns in revolution rings,
the equal hands on the cosmic clock,
plays rhythms we know
but have forgot,
neither quick or slow,
but just so, with natures tow.
this solitary Eden,
paradise without our seed in
beneath the clouds of atmosphere,
alters with us here
overthrowing Older Orders without consent
in the deafening, silent firmament
and near
in conditioned fear.
Us
we are composed
out of the fate of stars
a light dark light so old
and tuned that regards
most of Us as Other
peasants
who are clothed
without privileged presents
to burn wood in cracked stoves
under crumbling cover.
stitched to Their time
we entwine
in our own interpretation
of this spinning station.
only burlesque bright skies
and the iris flowers of abandoned eyes
can change the fixed views
of a selfish landscape
into united hues
of equal state.
our reality is broken-
we are the hosts
and ghosts
who have been stolen
the violated tokens
of corporatist totems
screen greed being traded
and invaded
then beaten for protesting by police
working for the Thief.
THIS
this stone
is my mountain
and my home
this puddle
is my fountain
and my muddle
this star
is my jar
and lantern of life
seeing me go
to each outpost
where seasons grow
and real comes close
this wilderness
is my nothing to confess
and consent
for no material content
this cigarette
is my remember forget next
and smoke flavours the sensations
of situations
HOPPER'S LADIES
you stay and grow
more mysterioso
but familiar
in my interior-
with voices peeled
full of field
of fruiting orange trees
fertile to orchard breeze
soaked in summer rains
so each refrain all remains.
not afraid of contrast,
closed and opened in the past
and present, this isolation of Hopper's ladies,
sat, thinking in and out of ifs and maybes
in a diner, reading on a chair or bed
knowing what wants to be said
to someone
who is coming or gone-
such subsidence
into silence
is a unilateral curve
of moments
and movements
that swerve
a straight lifetime
to independence
in dependence
touching sublime
rich roots
then ripe fruits.
we share their flesh and flutes
in ribosomes and delicious shoots
that release love-
no, not just the fingered glove
to wear
and curl up with in a chair,
but lovingkindness
cloaked in timeless
density and tone
in settled loam
beyond lonely apartments in skyscrapers
and empty newspapers,
or small-town life
gutting you with a gossips knife
THE SAMARITAN MACHINE
this field pond
is only my
dissolved
imagination-
thought drops
of summer rain
making fractal ripples
drumbeat on skin.
a portal shared
with cawing crows
reveals
who scams and snoops and shoots
in contract conversations.
this Windsong
of Virginia Creeper,
ruling Bear and Wolfsbane
rustling in black bamboo
trusts its Samaritan Machine
telling it who to redact
in this imposed
dystopian
equilibrium
of dumbed-down masses
worshipping Carousel.
THE MAD HATTER HIDING IN DARK MATTER
in our house
i binned the radio
for playing Strauss-
left the suited rodeo
of casino Faust
and shot the gentry shooting grouse.
into the wild garden
without spun jargon
we went
through rusting arch of rose dissent
onto the precipice of peace
where slush borders grip and grease
like usurping tectonic plates
shapeshifting smaller states.
their innocents bombed and dispossessed
join our shoaled oppressed
of obedient possessed-
while The Mad Hatter
hiding in Dark Matter-
says blame them, instead of Strauss
in suits playing casino Faust
and enslaving gentry shooting grouse.
Strider Marcus Jones – is a poet, law graduate and former civil servant from Salford,
England with proud Celtic roots in Ireland and Wales. He is the editor and publisher of
Lothlorien Poetry Journal https://lothlorienpoetryjournal.blogspot.com/. A member of
The Poetry Society, his five published books of poetry https://stridermarcusjonespoetry.wordpress.com/ reveal a maverick, moving between cities, playing his saxophone in smokey rooms.
His poetry has been published in numerous publications including: The Huffington
Post USA; The Stray Branch Literary Magazine; Crack The Spine Literary
Magazine;The Lampeter Review and Dissident Voice. His poetry has been nominated for the Pushcart Prize x3 and Best of the Net x3.
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