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Saturday, October 4, 2025

New Poems: Strider Marcus Jones




THE HERMIT


off rink

i think

and sit

like a hermit

but time

isn't mine

to design.

the images erased

from memory in this cave

reverses the lathe

of shaped corruption

to avoid self destruction.

to an unseen, individual,

prime residual

unlit spark in the integral

strum of strings

that turns in revolution rings,

the equal hands on the cosmic clock,

plays rhythms we know

but have forgot,

neither quick or slow,

but just so, with natures tow.

this solitary Eden,

paradise without our seed in

beneath the clouds of atmosphere,

alters with us here

overthrowing Older Orders without consent

in the deafening, silent firmament

and near

in conditioned fear.




Us


we are composed

out of the fate of stars

a light dark light so old

and tuned that regards

most of Us as Other

peasants

who are clothed

without privileged presents

to burn wood in cracked stoves

under crumbling cover.

stitched to Their time

we entwine

in our own interpretation

of this spinning station.

only burlesque bright skies

and the iris flowers of abandoned eyes

can change the fixed views

of a selfish landscape

into united hues

of equal state.

our reality is broken-

we are the hosts

and ghosts

who have been stolen

the violated tokens

of corporatist totems

screen greed being traded

and invaded

then beaten for protesting by police

working for the Thief.




THIS


this stone

is my mountain

and my home

this puddle

is my fountain

and my muddle

this star

is my jar

and lantern of life

seeing me go

to each outpost

where seasons grow

and real comes close

this wilderness

is my nothing to confess

and consent

for no material content

this cigarette

is my remember forget next

and smoke flavours the sensations

of situations




HOPPER'S LADIES


you stay and grow

more mysterioso

but familiar

in my interior-

with voices peeled

full of field

of fruiting orange trees

fertile to orchard breeze

soaked in summer rains

so each refrain all remains.


not afraid of contrast,

closed and opened in the past

and present, this isolation of Hopper's ladies,

sat, thinking in and out of ifs and maybes

in a diner, reading on a chair or bed

knowing what wants to be said

to someone

who is coming or gone-


such subsidence

into silence

is a unilateral curve

of moments

and movements

that swerve

a straight lifetime

to independence

in dependence

touching sublime

rich roots

then ripe fruits.


we share their flesh and flutes

in ribosomes and delicious shoots

that release love-

no, not just the fingered glove

to wear

and curl up with in a chair,

but lovingkindness

cloaked in timeless

density and tone

in settled loam

beyond lonely apartments in skyscrapers

and empty newspapers,

or small-town life

gutting you with a gossips knife




THE SAMARITAN MACHINE


this field pond

is only my

dissolved

imagination-

thought drops

of summer rain

making fractal ripples

drumbeat on skin.

a portal shared

with cawing crows

reveals

who scams and snoops and shoots

in contract conversations.

this Windsong

of Virginia Creeper,

ruling Bear and Wolfsbane

rustling in black bamboo

trusts its Samaritan Machine

telling it who to redact

in this imposed

dystopian

equilibrium

of dumbed-down masses

worshipping Carousel.




THE MAD HATTER HIDING IN DARK MATTER


in our house

i binned the radio

for playing Strauss-



left the suited rodeo

of casino Faust

and shot the gentry shooting grouse.



into the wild garden

without spun jargon

we went



through rusting arch of rose dissent

onto the precipice of peace

where slush borders grip and grease



like usurping tectonic plates

shapeshifting smaller states.

their innocents bombed and dispossessed



join our shoaled oppressed

of obedient possessed-

while The Mad Hatter



hiding in Dark Matter-

says blame them, instead of Strauss

in suits playing casino Faust



and enslaving gentry shooting grouse.


Strider Marcus Jones – is a poet, law graduate and former civil servant from Salford,

England with proud Celtic roots in Ireland and Wales. He is the editor and publisher of

Lothlorien Poetry Journal https://lothlorienpoetryjournal.blogspot.com/. A member of

The Poetry Society, his five published books of poetry  https://stridermarcusjonespoetry.wordpress.com/ reveal a maverick, moving between cities, playing his saxophone in smokey rooms.

  

His poetry has been published in numerous publications including: The Huffington

Post USA; The Stray Branch Literary Magazine; Crack The Spine Literary

Magazine;The Lampeter Review and Dissident Voice. His poetry has been nominated for the Pushcart Prize x3 and Best of the Net x3.

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