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Thursday, January 30, 2025

New poems: Sushant Thapa

 


Beholding Love

 

Love escapes through

long intervals of touch

between fingers.

Kisses grow old

like mirrors

throughout life.

I was a spring dancer

now I am

a winter statue.

Clouds have darkened

and sprinkles of misty rain

fall and keep falling.

Love is an abstract noun,

but I miss your touch.

We are

concrete manifestations.

Our kisses are absolute;

they don't empty like

filled vessels.

I feel your absence

and you emerge out

of mirror frames.

I watch you

in the mirror;

we have exchanged

ourselves.

 

 

Sorrow is a river

 

Morning manifests

in clean attire

as if a slate

has been washed.

The night has lost

its own caricature.

I see that the sun

has hidden itself

and winter has flowered.

The dew covered grasses

feel as if spring

has kissed them

silently.

Invention lies in

inventing happiness.

Sorrow is a river;

it drowns you

unless you learn to swim.

 

 

Art and Discontents

 

A fresh beginning

begins with new sights

or new insights.

Every walk of life

leads to present time.

I see myself orienting

to the artistic canvas,

Pouring myself out

in scars of colorful splashes.

Resting bones

leave the flesh.

I sense a reasoning

that questions

every other question.

Buried lies

do not sprout truths

that heal.

What good is art,

if it does not revive

passion and its discontents?

 

 

Favorable Conditions

 

I am looking

at the inner life

of a wintry afternoon.

I see my old age

in my father’s eyes.

“Do you feel

motherly embrace

in your nest?”

I ask the young bird of

the early morn.

It says flying lessons

are best learned

in a stormy sky.

I don’t blame

my weakness,

but learn to

aim right

and not wait for

any favorable

conditions.

 

 
© Sushant Thapa

Biratnagar-13, Nepal

Monday, January 27, 2025

Review of Gwil James Thomas ‘love is a burning church, cleansed by welcomed rain’ (Clair ObscurZine, Yorksire UK, 2024 (18 pages).

 


Thomas is a small press Bristol poet who has previously published several chapbooks, including his latest  ‘What We Do, They Will Never Understand- a split chap with scumbag press guru Martin Appleby (@twokeycustoms) and a second collection of poems The P45 Power Ballad(@yellowkingpress).

 

Thomas’ poetry is typically free verse confessional, highly accessible  and remarkably free of literary bullshit. 

 

The chap is A5 in size, saddle stitched on recycled paper and handmade by the publisher in Yorkshire, UK. The layout and graphics which accompany the poems add to the pleasure of your read. The chap is limited to 30 numbered copies.

 

Some of the poems in this small chap have previously appeared in publications such as As it Ought To Be Magazine, Expat Press and in Back Patio Press.

 

The common theme of the chap is that of change. The persona of the poems, presumably Thomas, often narrates everyday situations which prompt him to make important personal observations and realisations.  

 

In the poem ‘Return of an Ex’, Thomas, comes across an ex girlfriend in a grocery store and humorously reminisces about their youthful relationship. He realises they both have shed their previous selves and he is “glad that the boy I once was had long since gone”:

 

Return of an Ex. 

 

It’d been years since she’d even crossed my mind 

and then suddenly she’d appeared in front of me, 

in the frozen foods section of Lidl - 

we caught up and she told me about 

her husband and her son and I told her about 

the cities that I’d lived in over the years. 

 

It was clear that the girl I’d once known had gone,

but as she talked some memories came back to me - 

like the time that I picked her up in my old banger, 

after I’d spontaneously spray painted 

the word KILL across the bonnet 

and how to my surprise she’d found it hilarious, 

or the way that the radiator by her bed 

would shudder when we’d have sex, 

or how I learnt to play songs on the guitar 

by bands that I’d hated and she’d adored, 

or of the evening that she’d left me and the pain 

that I’d dragged out trying to get over her 

and how one day that had just disappeared

like our youth and there was something wonderful, 

horrible and fucking stupid about it all.

 

Eventually, we said so long again and I paid 

for my shopping and wandered back to my car, 

where I stopped and glanced at the clean bonnet - 

glad that the boy I once was had long since gone, 

even if I was going to buy a can of spray paint 

on my ride home.

 

(poems in this post are published with the permission of the writer)

 

In the poem ‘Change?’ he meets a girl at a bar through some friends.  The following afternoon he opens a window and senses hope amongst his brokenness:

 

 

Change?

 

She’d arrived as unannounced, 

as love and disaster -

a beautiful Welsh, Italian girl, 

a friend of some friends. 

From the cow eyed glances 

at the bar when no one was watching, 

to the extended touches nobody noticed - 

I knew the script well enough and once 

the drugs and alcohol drowned out 

any inhibitions, we’d left to our 

poor excuses.

The script flipped back at my flat 

and instead of passing out all fucked up, 

or jumping one another’s bones, 

we’d talked and she told me about 

a pain inside that was hard to explain 

and despite her youth, career and looks, 

against all of my lack of, 

I knew then that she was broken 

in the same way that I was -

yet, to laughter and sunrise, 

we’d shelved suicide, 

before her lips met mine 

and we’d stripped, whilst a fresh day 

had unfolded outside. 

Alone, the following afternoon, 

amongst my room’s familiar decor 

and its fluttering moths, 

I’d opened the windows to the bipolar weather -

I wasn’t even sure if I’d see her again, 

but something in me longed for change

and for the first time in a long time, 

I felt the truest smile fall onto my face -

realising, that I’d finally felt 

something.

 

These are deeply personal, well crafted poems. As Thomas describes in these poems, change may be traumatic but it is also an inevitable and regenerative part of life. 

 

Buy the chap here: https://clairobscurzine.bigcartel.com/product/love-is-a-burning-church-cleansed-by-welcomed-rain-by-gwil-james-thomas

 

Sunday, January 26, 2025

Featuring Shiva Neupane



The Mantra of Curiosity:

The curiosity is the seed

of discovery. 

Which enables us to 

explore the things. 

I just wondered 

For why this came to exist.

What is the purpose of curiosity?

If we were not curious  

Where our civilizational journey 

would have been?

I would like to decode 

the mantra of curiosity 

for why it is governing 

my thoughts. 

 

 


The Tides of Time:

The tides of time

Were smaller.

When I was a small boy,

As I grew older 

The tides of time became 

Bigger.

I realised the tides of time

Is very powerful.

It won’t wait anyone,

The art of sailing through the tides

of time what life teaches us.

 



The Death of Death: 

I keep wondering

and, wondering

about why, death

doesn’t need to die.

While everything has to die

In the universe.

How does it 

get the existential- immunity 

to get away with the rule of universe.

If there were a death of death

What would have been 

the existence of cosmos?

Could our mind afford

to understand this arcane truth?

 

 


Life is a candlelight:

Life glows like a candlelight,

It erases the darkness 

And creates the sense of happiness.

Life glows like a candlelight 

And teaches us to deal with plight

Life melts like a candlelight

And mingles in the air, fire, water 

and soil. 

Life doesn’t offer the purpose 

or meaning.

It’s us who give the meaning to it.

 

 

 

Mr. Shiva Neupane is a distinguished Nepalese-born Melbourne, Australia based writer. His articles have been featured nationally and internationally in acclaimed newspapers and journals such as ‘The Age’ (Australia), ‘The Beatnik Cowboy and ‘The Medusa’s kitchen (U.S.A), ‘Doublespeak’ (India), ‘The daily Global Nation’ (Bangladesh), ‘The Kathmandu Post’ and ‘The Himalayan Times’ (Nepal).

Sunday, January 12, 2025

New Poems: John Grey


A HUSBAND’S PERSPECTIVE

 

Cake of soap, 

wedding ring, 

gold filling,

            so much to be amused about

            and, for having the blood sucked out of me,

there is a charge:

            don’t spill the ash,

            beware the stain –

for your concerns,

there is no comeback –

            just my flesh, my bones,

            the scars where you can see them,

            the scars where you cannot –

a doctor listens to my heart,

the enemy that I love

takes pleasure in its pain,

pain in its pleasure –

            oh my God.

            my Lucifer,

            your red hair

            is both the color

            and the cause

            of where I burn -

and your green eyes

are both hugs and punches,

            while your mouth

            works both miracles

            and their opposites –

in the same face,

the charmer, the brute,

the whisper and the shriek,

the most valuable and the fool’s gold –

            as I said,

            there is a charge,

            one you sometimes

            give back

            as a refund,

            or toss back

            as a bomb.

 

 

 

 

ON A MISSION

 

as I grow I just 

never get finished

with the sun and tides

as a five-way street

becomes an obsession

before I die -

 

between the starlight 

brushing my cheek

and the course 

of these whole changes,

I’m swapping out all I know

for found wisdom –

 

I’m never finished

so don’t ask me

for this is my entire life

and I’ve not 

time enough for yours –

 

all this unlearned stuff

I’ll tell myself 

before I go public

and I’m not ready…

tired some times

eager at others

as I peer in the cracks

of walls and clouds

and ancient earthquakes

for a blessing 

of some fair-weather truths

but mostly a concoction

of all lies –

 

 

 

 

 ED

 

He has no time for the internet,

what he calls, “words on screens.”

He misses magazines, 

like Life, like Saturday Evening Post,

and especially the car ads,

not cheesy photographs 

but paintings, lovingly detailed,

of a Hudson or a Buick,

their colors bold red or sky blue,

fenders, hubcaps, hood ornaments,

gleaming veins of silver.

 

He remembers the renderings

of Caddies from the fifties,

cars that seemed to stretch 

from sea to mountains,

shark fins to air-brushed front bumper,

and headlamps like lighthouse beacons.

 

Nothing pops off the page anymore.

Vehicles still fill the roads

but no longer the imagination.

Once he was every driver

cruising the highways,

flying by giant billboards,

top open, breeze blowing,

fluttering flat cap on his head.

As for the lovely women 

in the passenger seats,

he married each in turn.

 

He doesn’t understand

that the kids with their cell phones,

I-Pads, tweets and Facebook,

are making their own nostalgia,

the times of their lives 

for future years to look back on.

 

To him, there’s only one past,

only one man missing it.

 

 

 

 

NO ALTERNATIVE

 

In my alternative history,

I’m not Napoleon nor General Custer,

but merely husband number two

of some madwoman named Lucy

who clubs her spouses on the skull

as they’re bathing,

holds their heads under

as they struggle to recover from the blow.

 

I don’t conquer other lands,

vanquish their armies

nor am I slaughtered  

in an ill-considered skirmish

at Little Big Horn.

But I do make the newspapers.

Too late, in this case,

so save the clippings for my scrapbook.

 

I much prefer my current life,

anonymous as it may be.

I can take a bath without the threat

of it being my last time in the tub.

Not that everything’s serene in the household.

My wife is angry with my bad habits,

bursts into the bathroom waving

a smelly, unwashed sock over my head.

In its alternate history, it’s a hammer.

 

 

 

 

OFF THE BOOZE

 

I go by the bar

on a wave of extreme self-control,

keep my nose to the sidewalk.

I’d like to have my halo now please.

 

I keep moving on the straight and narrow

and that’s where you come in

taking me aside like a cop many times

and saying, “It doesn’t have to be this way.”

 

So I’m headed to the restaurant

where the two of us will meet up

and I’ll order…no I won’t…

no beer no whiskey, no mixed drink,

 

just water from the tap for me.

Then you arrive 

and the meal comes.

And the conversation goes on

between forkfuls. 

 

And all through my lasagna

I’m thinking how a hot toddy

would finish the night off exquisitely

But I order a decaf coffee instead.

 

So what if my knees are shaking,

my hands are trembling,

my throat is crying out for salvation. 

“Keep this up and you’ll 

 

feel like a new man,” you add.

The truth is there a lot 

of new men I could feel like

and only half of them are unwillingly sober.

 

Now all I need do now

is find one of those who loves you for it.

 

 

 

 

CAN’T KEEP A GOOD MAN HANGING

 

Matt’s alive and well I believe,

living some place in New Jersey,

selling second-hand cars. 

The stories of him hanging himself 

in a motel room in Colorado are patently false.

That was just his idea of the ultimate selfie,

a snapshot with death.

But he left the scene once the cops were done

with his body.

That’s when he hitchhiked across country,

just like in the old days.

 

Matt always had a convincing tongue

so I expect he’s doing just fine  

passing certifiable lemons onto the unsuspecting.

Didn’t he sell us all that line about

how depressed he was, how the drugs 

didn’t do it for him any longer.

We all bought it. So we wept.

But that was before his stint 

at “Burke’s Guaranteed One Owner 

Reconditioned Dream Cars.”

 

He doesn’t call or send emails.

We figure he’s too busy fooling

all those New Jerseyites.

Like he fooled us with those grim messages.

But so what if he laughed behind

that hand that tied the knot.

That was Matt,

just the thing he’d do 

if he was contemplating a career change.

 

His sister came by,

asked if anyone had any interest

in taking his old guitar or his vinyl collection

or the box of all poetry he wrote.

She spent an hour or more crying on my shoulder.

Must have bought a crappy car off him, I reckon.




John Grey is an Australian poet, US resident, recently published in New World Writing, Santa Fe Literary Review, and Lost Pilots. Latest books, ”Between Two Fires”, “Covert” and  “Memory Outside The Head” are available through Amazon. Work upcoming in the Seventh Quarry, La Presa and California Quarterly..